This chapter opens with Robert Baratheon acting only as Robert Baratheon can, rude, reckless, and impractically. On the first few times through, it is hard to see how terrible King Robert is, as he is consistently shown through the eyes of Ned Stark, his oldest friend and near brother. Robert wakes Ned in the early morning, and then proceeds to, without his Kingsguard, take off on a long gallop. Robert takes a lot of secretive precautions to ensure that he and Ned won't be heard...or even recognized.
Ned and Robert proceed to have a conversation that shows the format for their future dealings, Ned advises Robert of prudent, practical moves, and Robert ignores him entirely.
The first conflict is over Daenerys' marriage to Khal Drogo. Robert wants to send assassins after the Targaryens, Ned says no.
The second conflict is over who to appoint as Warden of the East. Ned favors choosing Robert Arryn, or failing that, Stannis or Renly. Robert says no, he wants Jaime Lannister.
The third conflict is over Jaime Lannister himself. Ned distrusts Jaime and believes he lacks respect and seriousness. Robert again disagrees.
Ned ends the chapter realizing what a terrible mistake going to King's Landing is.
This chapter serves primarily to serve as insight into the kind of leader Robert is...a poor one. He's stubborn, and while he makes decisions quickly, he doesn't appear to ever be happy with any of them. Take, for example, his decision to leave his Kingsguard Knight behind. We later find out that the knights on the road, Ser Boros and Ser Meryn, are largely useless as bodyguards anyway, but it is very suspect that Robert would have no trust in two men he appointed himself. The chapter also lets us know that the Lannisters have some sort of hold over Robert, a prelude to the Westerosi debt crises we discover in Kings Landing.
All in all, you cannot help but to pity Ned, who has taken on an impossible job working for a man who only remembers being his friend.
A Thousand Eyes and One is a re-read project, aimed at uncovering some of the mysteries of George RR Martin's A Song of Fire and Ice, upon which the popular show A Game of Thrones is based. By re-examining a familiar text through "A Thousand Eyes and One" we hope to figure out key mysteries in the novels, solve burning questions, and formulate sound theories.
Monday, February 24, 2014
Wednesday, February 19, 2014
No? - Daenerys II
This chapter begins with everyone a little bit on edge.
The free city Pentos and its magisters are on edge because all 40,000 of Drogo’s Khalasar are squatting outside of the city. Viserys is brooding because he has to take a back seat to his sister for the time being. Daenerys is nervous about consummating her wedding night with her big, strong, rough husband. Of course Illyrio is an enigma, but this is a big part of his master plan so he must be a little bit apprehensive about the wedding proceedings. Mormont the spy is also probably curious about what’s going to happen.
Illyrio’s response to Viserys’ impatience about getting his army is an early indication of how he wants things to proceed slowly. As we know later thanks to his discussion with Varys under Kings Landing, he wants to take things slow, but Varys is having trouble juggling many events at once. In response to Viserys asking how long he must wait, Illyrio states, “You have waited most of your life, great king. What is another few months, another few years?”
Mormont tells Viserys that the Dothraki are true to their word but they do things on their own time. Viserys snaps at him and tells him to guard his tongue. He states that he is the “rightful Lord of the Seven Kingdoms” and that “The dragon doesn’t beg”. To this, Mormont bows his head, but Illyrio “smiled enigmatically” and ate sloppily as if disregarding Viserys claims as nothing more than an arrogant child.
If the Dothraki are true to their word, then perhaps Viserys “golden crown” was a part of Illyrio’s plan all along. When talking to Viserys, Illyrio says “I have told you, all is settled. Trust me. The khal has promised you a crown, and you shall have it.” It doesn't seem that far fetched for Illyrio to have plotted this since he shows contempt to Viserys right to his face and seems to understand Viserys’ character.
Then there was the wedding party. “A Dothraki wedding without at least three deaths is deemed a dull affair.” Funny, since the red wedding definitely outmatched Dany’s in excitement, the purple wedding was a dull affair and a future wedding might have the same potential as the red wedding.
The wedding gifts are as follows:
Viserys gives Dany the three handmaidens, Irri, Jhiqui, and Doreah. (One each to teach riding, language, love)
Jorah gives her books of history and songs from the Seven Kingdoms
Illyrio gives her the chest that contains the dragon’s eggs from the Shadowlands beyond Asshai.
Haggo gives Dany a leather whip with a silver handle
Cohollo gives her a gold-chased arakh
Qotho gives her a dragonbow
(Per Dothraki custom, she was to refuse these three gifts and hand over to Drogo)
Finally Drogo's gift to Dany is her horse, Silver. Which she gets on, rides through the crowd and, upon approaching a fire-pit, "The silver horse leapt the flames as if she had wings." This is clear foreshadowing of her riding a dragon.
Viserys gives Dany the three handmaidens, Irri, Jhiqui, and Doreah. (One each to teach riding, language, love)
Jorah gives her books of history and songs from the Seven Kingdoms
Illyrio gives her the chest that contains the dragon’s eggs from the Shadowlands beyond Asshai.
Haggo gives Dany a leather whip with a silver handle
Cohollo gives her a gold-chased arakh
Qotho gives her a dragonbow
(Per Dothraki custom, she was to refuse these three gifts and hand over to Drogo)
Finally Drogo's gift to Dany is her horse, Silver. Which she gets on, rides through the crowd and, upon approaching a fire-pit, "The silver horse leapt the flames as if she had wings." This is clear foreshadowing of her riding a dragon.
Then it came time to consummate the marriage. She says "No" twice before finally, after being fondled by Drogo a bit and after he asks No?, she says "Yes". Was it rape? No, it wasn’t in the context of the story. Also, we're in her consciousness as readers, and she doesn't react that way.
Monday, July 22, 2013
"What are You doing here?"
Jon II
This chapter is perhaps the penultimate "anti-Cat" chapter. It features our favorite bastard, Jon Snow, seeking a final audience with his comatose brother.
The mood in Winterfell is fairly dark at this time. Bran is lying, comatose and broken in bed. Catelyn has broken, and resorted to living in her son's room. Jon is leaving Winterfell forever, headed to the Night's Watch.
This is a relatively short chapter, and the main takeaways are as follows.
Jon describes Bran as a type of skeleton, a leaf, with bones "like a bird". This, I believe, is meant as a clear allusion to Bran's future as a greenseer, a skeleton sitting on a throne. We'll get to Bran's future more in Bran's next chapter (to be expertly exegeted by James), but its clear from the many hints in Bran's chapters that his storyline is perhaps the most important in the series.
The second takeaway is Catelyn's speech, about her prayer to the Seven for Bran to stay in Winterfell, by any means possible. There is a lot of talk in the fandom that the Seven "don't have any power", compared to R'hollor, the Old Gods, and the other religions of Martin's world. I think Catelyn's statement is a kind of direct contradiction (among other things, like Lancel Lannister's prophetic visions) of this idea. The Seven do hear prayer, but like the other gods of Westeros (or ancient mythologies) they rarely answer them in the desired fashion.
The chapter ends with a scene the cements Jon's place in the readers heart, Jon Snow gifting Needle to his youngest sister Arya.
Sunday, June 23, 2013
"I cannot abide the wailing of women"
Tyrion I
Our favorite halfman enters the series with a bang, or shall we say a slap? Tyrion Lannister, the least respected Lannister by most of Westeros, is known to us already through his conversation with Jon. Presented as "the imp", a drunken layabout who frequents brothels, we find out that Tyrion is in fact a thoughtful, intelligent man who struggles with his place in the world.
We find Tyrion asleep in Winterfell's library, apparently home to several rare books. He awakes to find the Hound and Prince Joffrey outside goading each other on in their impudence. He advises his nephew to talk to Lord and Lady Stark, and is instead insulted and rebuffed. This chapter also serves to give us our first notice that Joffrey truly is a terrible person, not just an obnoxious preteen. Tyrion delivers his world famous (and very portentous) slaps and goes on his way, but not before ignoring the advice of the Hound.
One of the more interesting bits here is the dynamic between Joffrey and the Hound. The Hound clearly recognizes to some extent what Joffrey is. Its why he warns Tyrion about slapping him. However, to some extend, the Hound also encourages this behavior in Joffrey. Did the Hound help create the monster that is Joffrey, or did Joffrey create himself?
Speaking of monsters, of course, the next thing we after Joffrey is Cersei. This is a pretty defining moment for Tyrion. He clearly senses that his siblings had something to do with Bran's fall, and he is cognizant of the fact that they almost certainly threw him to protect their incestuous relationship. Tyrion argues with Cersei about the direwolves, announces he is going to visit the Wall, and then chats with his brother for the last time until the end of Storm of Swords. Jaime tells Tyrion that he's not sure what side his brother is on. As the reader, however, its clear. Tyrion is loyal to House Lannister.
Our favorite halfman enters the series with a bang, or shall we say a slap? Tyrion Lannister, the least respected Lannister by most of Westeros, is known to us already through his conversation with Jon. Presented as "the imp", a drunken layabout who frequents brothels, we find out that Tyrion is in fact a thoughtful, intelligent man who struggles with his place in the world.
We find Tyrion asleep in Winterfell's library, apparently home to several rare books. He awakes to find the Hound and Prince Joffrey outside goading each other on in their impudence. He advises his nephew to talk to Lord and Lady Stark, and is instead insulted and rebuffed. This chapter also serves to give us our first notice that Joffrey truly is a terrible person, not just an obnoxious preteen. Tyrion delivers his world famous (and very portentous) slaps and goes on his way, but not before ignoring the advice of the Hound.
One of the more interesting bits here is the dynamic between Joffrey and the Hound. The Hound clearly recognizes to some extent what Joffrey is. Its why he warns Tyrion about slapping him. However, to some extend, the Hound also encourages this behavior in Joffrey. Did the Hound help create the monster that is Joffrey, or did Joffrey create himself?
Speaking of monsters, of course, the next thing we after Joffrey is Cersei. This is a pretty defining moment for Tyrion. He clearly senses that his siblings had something to do with Bran's fall, and he is cognizant of the fact that they almost certainly threw him to protect their incestuous relationship. Tyrion argues with Cersei about the direwolves, announces he is going to visit the Wall, and then chats with his brother for the last time until the end of Storm of Swords. Jaime tells Tyrion that he's not sure what side his brother is on. As the reader, however, its clear. Tyrion is loyal to House Lannister.
Tuesday, June 18, 2013
The Things I do for Love - Bran II
The Things I do
for Love – Bran II
The chapter begins
with a bunch of the party out hunting wild boar, which Robert wanted for the
feast that evening. Bran is eagerly anticipating
heading south and riding a real horse for a change, instead of his usual pony.
He daydreams about being a knight of the kingsguard and considers the three
kingsguard that came along with King Robert. Of the three, he says that Jaime
is the only one who looked like the knights in the stories. Jaime, however,
doesn't seem very fond of boar hunting and isn't with the party.
He reminisces
about his life in Winterfell and visits a couple of friends. He plays with his
wolf for a bit and then decides to go climbing. His wolf, the only one still without a name at this point, objects to his climbing. This is where some
of the interesting imagery begins and, of course, he begins his ascent into
warg-dom.
First, when he
begins climbing he considers Winterfell, “To a boy, Winterfell was a grey stone
labyrinth of walls and towers and courtyards and tunnels spreading out in all
directions. In the older parts of the castle, the halls slanted up and down so
that you couldn't even be sure what floor you were on. The place had grown over
the centuries like some monstrous stone tree, Maester Luwin told him once, and
its branches were gnarled and thick and twisted, its roots sunk deep into the
earth.”
This seems like a
comparison to an old bone-white weirwood tree, which we’ll see referenced again
as a tree that looks like stone around the cave up north and possibly on the Iron
Islands. Is it only a comparison though, or does Winterfell have something
magical about it below in its deep roots? What keeps it warm? What’s in the
crypts?
The tree imagery
doesn't stop there; however, “He confessed his crime the next day in a fit of
guilt. Lord Eddard ordered him to the godswood to cleanse himself. Guards were
posted to see that Bran remained there alone all night to reflect on his
disobedience. The next morning Bran was nowhere to be seen. They finally found
him fast asleep in the upper branches of the tallest sentinel in the grove.”
Could this
possibly be foreshadowing his time inside and connected to a weirwood, just as
Blood Raven is?
“When he got out
from under it and scrambled up near the sky, Bran could see all of Winterfell
in a glance. He liked the way it looked, spread out beneath him, only birds
wheeling over his head while all the life of the castle went on below. Bran
could perch for hours among the shapeless, rain-worn gargoyles that brooded
over the First Keep, watching it all: the men drilling with wood and steel in
the yard, the cooks tending their vegetables in the glass garden, restless dogs
running back and forth in the kennels, the silence of the godswood, the girls
gossiping beside the washing well. It made him feel like he was lord of the
castle, in a way even Robb would never know.”
This is very
similar to what happens to Bran next. He enjoys seeing events in Winterfell unfold
from above. The next thing he knows, he’s flying and seeing events all across Westeros
from above. Is it possible that he
becomes a kind of “lord of warging/greenseeing” that his siblings and any other
wargs would never know?
“Old Nan told him a story about a bad little
boy who climbed too high and was struck down by lightning, and how afterward
the crows came to peck out his eyes. Bran was not impressed. There were crows’ nests
atop the broken tower, where no one ever went but him, and sometimes he filled
his pockets with corn before he climbed up there and the crows ate it right out
of his hand. None of them had ever shown the slightest bit of interest in
pecking out his eyes.”
Is it just another
Old Nan story or does she know something about warging, or even about Blood
Raven and his crows?
Finally, as he
gets to the top of the First Keep, we learn of the incestuous relationship
between Jaime and Cersei and, well, Bran never falls….
Before he left the
window, Bran says his age (7) if that’s of any significance. The wolf howls,
the crows circle.
Wednesday, June 12, 2013
Crooked Stitches - Arya I
Arya I
This is Arya’s first POV chapter, and basically serves to
illustrate the contrast between her wildness and Sansa’s proper ladylike behavior.
The chapter begins with Arya, Jeyne Poole, Beth Cassel,
Sansa and Princess Myrcella practicing the womanly art of needlework overseen
by Septa Mordane. Arya isn’t very interested in her work, possibly because she
once overheard the Septa telling her mother that she had the hands of a
blacksmith. Instead, she glances around the room thinking about how beautiful
Sansa’s work is because “everyone says so.” The rest of the girls giggle,
gossip and gush about Joffrey and how he’s going to marry Sansa. The talking
attracts the attention of the Septa, and Arya’s lack of needle talents is announced
publicly, to her embarrassment. Arya storms out of the room and out of any possible
opportunity to lead a prissy proper ladylike life. When asked where she is
going by the Septa, she responds with quick wit saying “I have to go shoe a
horse.”
This makes me wonder if Arya had any real chance to be a “proper lady”
or whether she was born with the wild wolf-blood. Everyone seemed to be too
busy cooing over Sansa’s beauty and talents. She seemed to be trying her best
at needlework, and we know how well she gets at sword play with Syrio with practice,
but perhaps when she overheard the Septa telling her mother that she has the
hands of a blacksmith, it activated some type of stereotype threat or self-fulfilling
prophecy which made her unable to perform well or get better. She’s also two
years younger than Sansa, so the expectations of the Septa may have even been
unrealistic. Telling the Septa that she was going to shoe a horse was a
rejection of the gender norms. It’s also interesting with her later friendship
with Gendry.
After she leaves, she looks for some place to watch Joffrey
get knocked on his backside by Robb. At this point, there isn’t much reason to
dislike him, besides the fact that Jon said he looks like a girl. Perhaps this could
be the earliest glimmer of Arya’s dark side. She also says that she would have
taken Nymeria to needlework seemingly to intimidate Septa Mordane. She is only
9 years old though, and is embarrassed and hurt by her sister’s friends
giggling at her failure to fit in and do girly things. It isn’t unreasonable to
feel this way.
She finds a spot to watch the fighting and Jon is already
there. She’s disappointed to see that it’s only the younger boys fighting
instead of Robb and Joffrey. Jon messes up her hair as she says she can perform
better than Bran who’s fighting plump Prince Tommen. They remark on the arms on
Joffrey’s coat. It’s interesting that they are looking at Joffrey’s arms and
not Tommen’s because the arms are divided between the crowned stag and the lion
of Lannister. This is possible early symbolism of Joffrey’s incestual parentage and also the proudness of
house Lannister.
The fighting ends with Robb and Joffrey arguing since Joffrey doesn’t really want to go another bout with Robb, and the Lannister men laughing at Joffrey’s lame jokes. Arya heads back to her room where the Septa and her mother were waiting for her.
A couple of other important things that were mentioned in
the chapter:
Arya discussing appearances. She says “Jon had their
father’s face, as she did. They were the only ones. Robb and Sansa and Bran and
even little Rickon all took after the Tullys, with easy smiles and fire in
their hair. When Arya had been little, she had been afraid that meant that she
was a bastard too. It had been Jon she had gone to in her fear, and Jon who had
reassured her.”
Possibly subtle evidence of R + L = J. She’s discussing
similar features that she shares with Jon, and later on in her second chapter, Ned
says she looks like Lyanna. It’s just a small connection.
“Ah, Arya. You have a
wildness in you, child. ‘The wolf blood,’ my father used to call it. Lyanna had
a touch of it, and my brother Brandon more than a touch. It brought them both
to an early grave.” Arya heard sadness in his voice; he did not often speak of
his father, or of the brother and sister who had died before she was born.
“Lyanna might have carried a sword, if my lord father had allowed it. You
remind me of her sometimes. You even look like her.” “Lyanna was beautiful,”
Arya said, startled. Everybody said so. It was not a thing that was ever said
of Arya. “She was,” Eddard Stark agreed, “beautiful, and willful, and dead
before her time.”
As a little sidenote, she says “everyone said so” again in
regards to someone’s appearance. She doesn’t think much of herself because of
the fact that she’s called Arya Horseface even though she’s probably actually pretty
(in the books at least). The last line of that quote is pretty dark and
foreboding, especially given what Jon tells Arya at the end of the chapter I reviewed,
“You’ll be sewing all through winter. When the spring thaw
comes, they will find your body with a needle still locked tight between your
frozen fingers.”
Combine this quote with what the Ghost of High Heart sees,
and I’m a bit on edge about the future of Arya.
Tuesday, June 4, 2013
Summer Will End Soon - Catelyn II
Pride and deceit were the main theme in this
chapter.
PRIDE: The chapter began with Ned and
Catelyn’s discussion of the former’s acceptance/refusal to being hand of the
king. As Ned argued to refuse his closest comrade, Catelyn insisted that the
king would not understand his reasons and his refusal would eventually put
their house in danger. We get a glimpse of Cat’s pride in bringing her house
honor when she talked about Sansa’s betrothal to the crown prince and her
supposed marriage to Brandon Stark, Ned’s older brother who was killed by the
Mad King Aerys.
DECEIT: As we continue reading, Maester Luwin
makes an unexpected appearance bearing a lens, a symbolism that every character
and reader should look more closely as events unfold and a controversial letter
from the Lady Lysa Arryn of the Eyrie. The first taste of deceit was thrown to
us in this chapter, a concept that GRRM greatly utilized in writing the whole
series. Lysa sends a hidden letter in a language only she and Cat could
understand and revealed that the Lannisters murdered the late hand, Jon Arryn. This
event made me believe that the Lannisters were the antagonists of the series,
when they are in fact just players in a game played by characters who claim
loyalty to the realm. Lysa’s cunning way of sending the message also hints of
her sly nature, a fact that will later on be revealed in A Feast for Crows. Due
to this event, Ned was urged by both Cat and Maester Luwin to go south to find
out the truth about Jon Arryn’s death; this makes me conclude that everything
that was brought upon house Stark is Cat’s fault.
PRIDE and DECEIT: We are later introduced to
Ser Arthur Dayne of the Kingsguard also known as the Sword of the Morning. Ser
Arthur is one of the deadliest and finest knights of Aery’s seven and Prince
Rhaegar’s closest friend, it is believed that Ned slew him in the Tower of Joy
in single combat, a contradiction to Ned’s statement that Ser Arthur would’ve
killed him if not for Howland Reed (This establishes the Bran-Jojen connection).
After Ser Arthur Dayne, Lady Ashara Dayne was introduced, a beautiful maiden
who is believed to be the mother of the bastard Jon Snow. Again, a devious way
to conceal the true identity of Jon’s mother/truth behind R+L=J, a theory that we
all probably accept as true (verified by Ned’s own statement “He is my blood,
and that is all you need to know” regarding Jon Snow). This part of Cat’s POV
emphasizes on her pride as a mother (something that will eventually transcend
to something bigger and powerful) and how that eventually sends Jon to the
wall.
CONCLUSION: Does anyone else blame Cat for
falling into Littlefinger’s trap (The first step to start the game that is
about to be played, yes he knows her that well)? If only Ned stayed north, none
of this would’ve happened and the series wouldn’t be as interesting. So thank
you, Catelyn Stark.
Subscribe to:
Comments (Atom)